![]() ![]() ![]() Lynch's "Twin Peaks" is a cult hit on television. "Blue Velvet" (1986) was hailed as one of the best films of the decade. At the end of both " Blue Velvet" and "Wild at Heart," I was angry, as if a clever con-man had tried to put one over on me. But as the movie rolls along, something grows inside of me - an indignation, an unwillingness, a resistance. I sit and watch his films and am aware of his energy, his visual flair, his flashes of wit. ![]() I am aware of it, I admit to it, but I cannot think my way around it. Lynch's raucous film contains his trademark visual style, over-the-top dialogue, and pulsating soundtrack, creating another truly distinct picture.There is something inside of me that resists the films of David Lynch. Sailor must decide if he wants to go straight and be there for his child or remain under Bobby's influence and risk returning to jail. Bobby convinces Sailor to help him rob a bank, much to Lula's objections (for she's discovered that she's pregnant). When they pull off the road in order to hide out in a small trailer park, Sailor befriends Bobby Peru (Willem Dafoe), an incredibly intense war veteran with a rotten set of teeth. After Sailor is released from prison for murdering a man-albeit in self-defense-he and Lula embark on a sex-filled, rocking road trip, aware that they are being hunted by one of Marietta's cronies. In this case, fate is Lula's mother, Marietta Fortune (Diane Ladd), a desperate woman who hates Sailor and will do anything to keep him away from her daughter. WILD AT HEART follows the troubled romance of Sailor (Nicolas Cage) and Lula (Laura Dern), two lovers who struggle to remain together even when fate seems intent on keeping them apart. In adapting Barry Gifford's colorful novel, David Lynch delivers another jolt of adrenaline to unsuspecting viewers everywhere. ![]()
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